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Trans Museum Studies Blog

Book Review: Before We Were Trans: A New History of Gender by Kit Heyam

16/7/2022

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​For over a year now, I have had an idea for an exhibition on trans history in the back of my head. Called Gender Complexities, it would look at examples of gender expression beyond a traditional gender binary around the world. This was spurred on by Asa Johannesson and Clair Le Couteur’s article “Nonbinary Difference: Dionysus, ~~Arianna~~, and the Fictive Arts of Museum Photography”. In it, the authors use a bust of Dionysus that had previously been catalogued as Arianna to discuss how fragile our understandings and perceptions of gender can be. My goal with this exhibition was/will be (depending on if I get to design it) to expand how we think of trans history. Trans history is often viewed rather limitedly, either individuals we can definitely prove were trans or indigenous groups that white trans people will cling to as an example of prelapsarian existence, often with little care for those groups beyond their use to claim that “we have always existed”. The breadth of trans history is far broader and begging to be told.
A copy of the UK cover to
Before We Were Trans: A New History of Gender by Kit Heyam.
​If I ever do get a chance to create that exhibit, Kit Heyam’s recent book Before We Were Trans: A New History of Gender will most certainly be the first I reach for. 

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Framing Agnes: Speaking To A Transgender Audience

28/2/2022

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In the lead up to the premiere of Framing Agnes, I sought out interviews and panels for the film, thinking it might be interesting to discuss on my website. I was already excited to watch the film, but there was a sentiment that perked my interest further. Morgan M. Page, one of the writers of the documentary, mentioned that the target audience was trans people, not cisgender outsiders. My ears perked up immediately. I had come to the same conclusion about my trans museum studies work during my first exhibition, so I was very curious to see how the film handled this. My curiosity was further piqued when Jen Richards echoed the same sentiments in a different panel. In that one, Richards compared Framing Agnes to the far more straight forward Disclosure, with Agnes being much more for trans people. By the time the premiere came around, my anticipation was heightened. I am excited to say that it lived up to that high bar.

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Book Review: The Hidden Case of Ewan Forbes And The Unwritten History of the Trans Experience By Zoe Playdon

26/1/2022

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​The Hidden Case of Ewan Forbes, written by Zoe Playdon, is a semi-biography of the Scottish landowner Ewan Forbes. A trans man, Forbes had his masculine identity affirmed by a court in the late 1960s to settle an inheritance dispute. This case, which would have had significant ramifications for transgender rights around the world, but it was instead stricken from the record. The book uses Forbes’ life as a jumping off point to discuss wider movements and moments within transgender history in really fascinating ways. 
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Book Review: The Shape of Sex By Leah DeVun

10/10/2021

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​I believe I first found out about The Shape of Sex shortly after I had surgery earlier this year. I was immediately interested. DeVun had previously co-edited an issue of Transgender Studies Quarterly on Trans*historicities that I have referenced extensively, so I was rather excited to get my hands on The Shape of Sex. I am happy to report that it lived up to my expectations. This book, more than any I have read before, makes a strong case of transgender studies as a discipline.
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How Do We Talk About Transgender History?

30/8/2021

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I hate Leslie Feinberg’s Transgender Warriors. Reading it is like torture to me. It is part history book, part autobiography, but unfortunately it is still one of the few mainstream books on transgender history. Feinberg is not an historian, and it shows. The whole book serves a narrative around class conflict; the upper classes subjugated the lower classes in many ways, one of which was through destroying transgender experiences. While Clare Sears’ Arresting Dress takes a similar framework, Transgender Warriors lacks any kind of nuance. Worse yet, Feinberg will offhandedly mention aspects of transgender existence without exploring them further. It becomes incredibly frustrating to read because it is clear to the reader that there is more that could be done with the history than is being presented. It is a book full of loose ends.
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But there is one thing I appreciate Transgender Warriors for; its broad definition of what counts as “transgender”. The definition of “transgender” has changed a lot since Feinberg wrote Transgender Warriors; at the time, it represented anyone who was “beyond-the-binary” (Bettcher). Since then, transgender has come to mean a lot of different things, from binary transgender people to being an umbrella term for the whole community (often represented as trans*). The reasons for these changes are complicated, and even I do not fully understand them. But reading something like Transgender Warriors and calling a figure like Joan of Arc transgender for existing outside the traditional gender binary; that can be very refreshing.

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    Amelia smith

    Trying to bridge the gap between transgender studies and museum studies.

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